 Black Sabbath's  debut album is given over to lengthy songs and suite-like pieces where  individual songs blur together and riffs pound away one after another,  frequently under extended jams. There isn't much variety in tempo, mood,  or the band's simple, blues-derived musical vocabulary, but that's not  the point; Sabbath's  slowed-down, murky guitar rock bludgeons the listener in an almost  hallucinatory fashion, reveling in its own dazed, druggy state of  consciousness. Songs like the apocalyptic title track, "N.I.B.," and  "The Wizard" make their obsessions with evil and black magic seem like  more than just stereotypical heavy metal posturing because of the dim,  suffocating musical atmosphere the band frames  them in. This blueprint would be refined and occasionally elaborated  upon over the band's next few albums, but there are plenty of metal  classics already here.
Black Sabbath's  debut album is given over to lengthy songs and suite-like pieces where  individual songs blur together and riffs pound away one after another,  frequently under extended jams. There isn't much variety in tempo, mood,  or the band's simple, blues-derived musical vocabulary, but that's not  the point; Sabbath's  slowed-down, murky guitar rock bludgeons the listener in an almost  hallucinatory fashion, reveling in its own dazed, druggy state of  consciousness. Songs like the apocalyptic title track, "N.I.B.," and  "The Wizard" make their obsessions with evil and black magic seem like  more than just stereotypical heavy metal posturing because of the dim,  suffocating musical atmosphere the band frames  them in. This blueprint would be refined and occasionally elaborated  upon over the band's next few albums, but there are plenty of metal  classics already here.Sunday, October 23, 2011
Black Sabbath
 Black Sabbath's  debut album is given over to lengthy songs and suite-like pieces where  individual songs blur together and riffs pound away one after another,  frequently under extended jams. There isn't much variety in tempo, mood,  or the band's simple, blues-derived musical vocabulary, but that's not  the point; Sabbath's  slowed-down, murky guitar rock bludgeons the listener in an almost  hallucinatory fashion, reveling in its own dazed, druggy state of  consciousness. Songs like the apocalyptic title track, "N.I.B.," and  "The Wizard" make their obsessions with evil and black magic seem like  more than just stereotypical heavy metal posturing because of the dim,  suffocating musical atmosphere the band frames  them in. This blueprint would be refined and occasionally elaborated  upon over the band's next few albums, but there are plenty of metal  classics already here.
Black Sabbath's  debut album is given over to lengthy songs and suite-like pieces where  individual songs blur together and riffs pound away one after another,  frequently under extended jams. There isn't much variety in tempo, mood,  or the band's simple, blues-derived musical vocabulary, but that's not  the point; Sabbath's  slowed-down, murky guitar rock bludgeons the listener in an almost  hallucinatory fashion, reveling in its own dazed, druggy state of  consciousness. Songs like the apocalyptic title track, "N.I.B.," and  "The Wizard" make their obsessions with evil and black magic seem like  more than just stereotypical heavy metal posturing because of the dim,  suffocating musical atmosphere the band frames  them in. This blueprint would be refined and occasionally elaborated  upon over the band's next few albums, but there are plenty of metal  classics already here.
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