Stranger Things

This band has the unique distinction of being both legendary and critically acclaimed, yet also something of a glorified one-hit wonder. After a platinum debut Shooting Rubberbands at the Stars and the massive hit "What I Am," the disappointing reception of their follow-up, Ghost of a Dog, led to a breakup that's lasted over 15 years. Can the brilliance of their breakthrough be recaptured in a very different musical climate? Well, the title says it all: Stranger Things have happened. The good news is that Brickell, besides still being a powerful and quirky singer/songwriter, joined forces with her old bandmates for purely creative reasons, rather than commercial or label pressure. It's almost like she's reconnecting with an audience who has stayed loyal through a few solo efforts and years of waiting for this exciting re-emergence.

Ghost of a Dog

Folk ockers Edie Brickell & New Bohemians returned in 1990 with Ghost of a Dog, the follow-up to their extremely successful debut, Shooting Rubberbands at the Stars. Once again, the musicianship and instrumentation are supremely appropriate, right down to the guest accordion licks that set the playful mood for "Carmelito." Top that with thoughtful, thought-provoking lyrics and memorable melodies and you have a great second record on the New Bohemian resume. Brickell has a way with phrases unlike most other songwriters. She finds the similarity in differences and uses it to her advantage, spinning webs with words entangled in unique rhymes and patterns. The opening lines are a perfect example: "If a child lives with money, he learns to spend his time/If a child lives with crazy, he goes out of his mind." This record is full of such cleverness. And as bouncy and whimsical as some of the songs are, such as "Woyaho," "Oak Cliff Bra," and "Carmelito," things get downright poignant, if not serious, on "He Said," "10,000 Angels," and "This Eye." However exquisite, Brickell is as a songwriter and vocalist, enough can't be said of the guys who support her musically. Kenny Withrow, Wes Burt-Martin, Brad Houser, John Bush, and Matt Chamberland are wonderfully creative musicians, and the cohesiveness of their sound is exciting to hear. These guys know what it means to play together, each giving his all without stepping on anyone's toes. Ghost of a Dog is definitely a record to own if you love the music that came out of the early '90s folk-rock scene. Along with the efforts of bands like 10,000 Manics, it stands the test of time and can be enjoyed over the years. But, sadly, it marks the second and last release from this band.

Shooting Rubberbands at the Stars

As debut albums by young bands go, Shooting Rubberbands at the Stars is nearly flawless. With a slight southern twinge in her voice, the 23-year-old Edie Brickell churned out brilliant lyrics and captivating vocal performances, backed by the solid and innovative players that comprised the original New Bos -- Kenny Withrow, Brad Houser, John Bush, and Brandon Aly. Twisting words like putty, Brickell wraps herself up in phrases and melodic lines with layers of meaning not easily grasped at first listen. Her simple observations offer deep contemplations for the willing disciples of her musical philosophies. The catchy breakthrough hit "What I Am" is the perfect example: "I'm not aware of too many things/I know what I know, if you know what I mean." Zen and the art of songwriting. On other fronts, Brickell's fascination with actress Edie Sedgwick turned itself into "Little Miss S.," while strained friendships inspired "Circle." Every song on this record hits its mark and is worthy of special attention. How well does "Nothing" capture the frustration of a non-communicative partner? Very well, indeed. Then there's "The Wheel," "She," and "Air of December." Highlights, one and all. Rather than an overblown big rock finish, Shooting Rubberbands at the Stars closes with a solo acoustic performance of "I Do," a quiet plea for a partner who's equal and true, complete and steady; yet another testimony to the simplicity and thoughtfulness that this album and this band offer. "What I Am" did more than kick off a record, it jump started a career amidst the clamor of the late '80s folk-rock scene. Along with 10,000 Manics, Tracy Chapman, and others, Edie Brickell & New Bohemians took their place in the spotlight, basking in every second of their 15 minutes of fame.